(Piano/Vocal/Guitar Songbook). 12 selections from the movie adaptation of this Broadway classic: Think of Me * Angel of Music * The Phantom of the Opera. 'No One Would Listen' - Deleted Film Scene | The Phantom of the Opera Einblicke in die Gesangsaudition für DAS PHANTOM DER OPER in Hamburg. Paris, In der Oper feiert das Chormädchen Christine ihre Sternstunde. Im Publikum verfolgt der neue Förderer des Ensembles, Raoul, die Aufführung und ist begeistert vom jungen Nachwuchstalent. Die beiden kennen sich noch aus Kindertagen und.
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Paris, In der Oper feiert das Chormädchen Christine ihre Sternstunde. Im Publikum verfolgt der neue Förderer des Ensembles, Raoul, die Aufführung und ist begeistert vom jungen Nachwuchstalent. Die beiden kennen sich noch aus Kindertagen und. Das Phantom der Oper ist eine Verfilmung des Musicals Das Phantom der Oper von Andrew Lloyd Webber (welches wiederum auf dem gleichnamigen Roman. Das Phantom der Oper (französischer Originaltitel: Le Fantôme de l'Opéra) ist ein Roman des französischen Journalisten und Schriftstellers Gaston Leroux. bullheads.eu - Kaufen Sie Das Phantom der Oper günstig ein. Das Phantom der Oper in der Royal Albert Hall (25th Anniversary Edition, OmU) Harry Potter Kollektion | komplette Film Box | 8 DVDs (exklusive Buchhandels-Edition) · 4,6 von. Andrew Lloyd Webber: The Phantom Of The Opera Movie Selections -For Piano Andrew Lloyd Webber, DAS PHANTOM DER OPER (The Phantom of the. bullheads.eu: Das Phantom der Oper: Schumacher, Joel, Webber, Andrew Lloyd, Webber, Andrew Lloyd: Movies & TV. Das Phantom der Oper. Opulente Verfilmung von Andrew Lloyd Webbers Musicalhit, die keinen Fan enttäuschen wird. Das Phantom der Oper.
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The top half was implemented using a combination of computer-generated imagery CGI and a scale model created by Cinesite. Production designer Anthony D.
Schumacher was inspired by Jean Cocteau 's Beauty and the Beast , where a hallway is lined with arms holding candelabra. However, both categories were awarded to The Aviator.
The soundtrack of the film was released in two separate CD formats on 23 November as a two-disc deluxe edition which includes dialogue from the film and a single-disc highlights edition.
Despite having been impressed with the cast, Jonathan Rosenbaum of the Chicago Reader wrote that "Teen romance and operetta-style singing replace the horror elements familiar to film-goers, and director Joel Schumacher obscures any remnants of classy stage spectacle with the same disco overkill he brought to Batman Forever.
In a mixed review for Newsweek , David Ansen praised Rossum's performance, but criticized the filmmakers for their focus on visual design rather than presenting a cohesive storyline.
Still, I can easily imagine a more dashing, charismatic Phantom than Butler's. Rest assured, however, Lloyd Webber's neo- Puccinian songs are reprised and reprised and reprised until you're guaranteed to go out humming.
Roger Ebert , who gave the film three stars out of four, reasoned that "part of the pleasure of movie-going is pure spectacle—of just sitting there and looking at great stuff and knowing it looks terrific.
There wasn't much Schumacher could have done with the story or the music he was handed, but in the areas over which he held sway, he has triumphed.
Now, in Schumacher's film, that spell lives on. From Wikipedia, the free encyclopedia. Theatrical release poster. Pictures United States Odyssey Entertainment international.
Release date. Running time. British Board of Film Classification. Retrieved 4 March Box Office Mojo. Entertainment Weekly.
Retrieved 25 September The New York Times. Retrieved 26 September Retrieved 20 September Retrieved 19 September Archived from the original on 15 January TV Guide.
Retrieved 19 October Animation World Network. Retrieved 23 December Associated Press. Retrieved 16 February Pittsburgh Tribune-Review.
Archived from the original on 16 December Archived from the original on 29 June Archived from the original on 8 July Motion Picture Producers Association of Japan.
Academy of Motion Picture Arts and Sciences. Archived from the original on 14 July Retrieved 14 October Hollywood Foreign Press Association.
Archived from the original on 15 December Archived from the original on 7 February Archived from the original on 28 February Rotten Tomatoes.
Retrieved 19 April Archived from the original on 20 December Chicago Reader. Retrieved 6 October Archived from the original on 4 September Retrieved 9 October Chicago Sun-Times.
Film Threat. Archived from the original on 11 April Andrew Lloyd Webber. Requiem Watership Down. Really Useful Group. The Phantom of the Opera by Gaston Leroux.
Joel Schumacher. The Incredible Shrinking Woman D. Cab , also wrote St. Sparkle Car Wash The Wiz Categories : films English-language films s romantic drama films British films British musical films British romantic drama films Films about opera Films based on adaptations Films based on multiple works Films based on musicals Films based on The Phantom of the Opera Films directed by Joel Schumacher Films with screenplays by Joel Schumacher Films set in Paris Films set in the s Films set in Films set in Films set in American historical romance films British nonlinear narrative films American nonlinear narrative films American films Films shot at Pinewood Studios Warner Bros.
Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Begins when an opera ghost terrorizes the cast and crew of the French Opera House while tutoring a chorus girl.
He finally drives the lead soprano crazy so she and her friend leave. The girl is able to sing lead one night but the soprano doesn't want her show stolen so she comes back.
Meanwhile, His pupil falls in love with the Vicomte de Chagny, but the Phantom is in love with Christine, his student.
The Phantom is outraged by their love and kidnaps Christine to be his eternal bride. Will Raoul, the Vicomte, be able to stop this dastardly plan?
Written by Niki. I can't believe I waited so long to see this movie. I've never seen the stage play. I lived in L. I thought "Chicago" was okay.
I went to see it on a whim. But when that chandelier went up and the sweeping transformation happened to the opera house from black and white dusty ruin to a lush landscape of red velvet and gold ornate statues to the equal sweep of that unimaginably beautiful music, I literally forgot to breathe.
Every time I see it I still get goosebumps. You feel that you've just been magically transported to another world.
I loved every frame, every note, every performance from the very beginning to the very end. The critics must be crazy. This movie should be up for every award ever made!!
I can't stop watching it. I've seen it ten times already and can't wait for the next time. It's definitely now in my top ten of all time.
What can I say about the performances that hasn't been said, they were superb. Emmy Rossum was innocent, beautiful, and angelic with a voice to match.
Patrick Wilson was perfect as Raoul; handsome, and with a voice as smooth as silk. However, I can't say enough about Gerard Butler. His emotional range is absolutely stunning.
Not since Richard Burton or Larry Olivier in Richard III have I seen an actor who can encompass so many different levels on the turn of a dime: Murderous rage; intense sexuality and longing; incredible vulnerability.
I can't believe the comments I've seen on his singing. His voice was beautiful, sensuous, and the amazing thing was his singing matched every emotion he was feeling from highest to lowest.
In the beginning we see a very confident, strong, domineering individual partial to strangling people when cornered, not the most sympathetic of individuals, who nevertheless shows a sensitivity and sweetness despite all of his extremely fatal faults; that is, in the more than competent hands of Gerard Butler.
His performance is so beautifully and deftly drawn that gradually by the end of the film we see what's been behind the mask all along: He's just a lost little boy who never grew up.
I also have to comment on the "Point of No Return" number. And neither of them lost a stitch of clothing. Well, accept maybe a cape and a mask.
But I digress. So he lived in a sewer and had a little anger management problem. We could have worked through it with a good therapist.
I mean this guy gave Christine what every hot blooded woman wants: Total and obedient worship. Am I right girls? Anyway to all you naysayers, I say this movie would have been nothing without him.
To tell you the truth I kept wondering, "Who is this guy, where did he come from? So I did what the rest of you do and looked him up on "imdb.
Since then I've seen his other film roles, to be honest the films weren't that great, but that's not his fault.
You've got to take what you're offered. So I just have to note another of his astonishing talents: I swear he changes with every role. His voice and his face, even his body molds to whatever character he's playing.
I cannot believe that he is not up for Best Actor, or that this film is not up for at least ten Oscars. Incidentally, I shall be boycotting them this year, and I urge you to do the same.
Compared to this film, the rest is just drivel. Anyway, Mr. Butler is an amazing actor. I'm so glad Mr. Schumacher had the tremendous insight to cast him.
I hope now he will get the roles he so richly deserves. I'd pay admission to watch that man walk across the street.
I can't believe he'd never had a voice lesson before. I hope he does more recording. I still can't get those songs out of my head, got the CD and still can't stop playing it.
You must embrace it on it's own turf. If you haven't seen it yet, you've missed something extremely special. It's one of the finest and most beautiful films ever made.
I have to thank you "imdb," at least we, for once, get a chance to air our opinions. I will never see another movie without consulting my fellow "little people" again.
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Visit our What to Watch page. Sign In.Regie führte Joel Schumacher. Später wird Raoul Zeuge, wie Christine durch den Spiegel hindurch verschwindet und der Männerstimme, von der er den Namen hören kann Erikfolgt. Das Phantom im Paradies. Richard Friedman. Auf dem Maskenball trifft er sich mit Christine, doch auch das Phantom Rote Schildkröte sich, verkleidet als Roter Tod, dort herum. Alle Hits des Musicals, darunter der Titelsong und "Point of no return", finden sich auch in dieser Verfilmung. Ursprünglich sollte es bereits in den frühen er Jahren eine Verfilmung basierend auf dem Musical geben, und zwar mit Lawman Deutsch Hauptdarstellern der Erstaufführung: Michael Crawford als das Phantom und Sarah Brightman als Christine.